PDF-Bücher How to Paint Like the Old Masters, by Joseph Sheppard
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How to Paint Like the Old Masters, by Joseph Sheppard
PDF-Bücher How to Paint Like the Old Masters, by Joseph Sheppard
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Synopsis
This is a glorious 25th anniversary reissue of this classic book. Illuminating & fascinating, it covers the classic art techniques perfected by 16th and 17th century masters. These include Caravaggio, Rembrandt, Titian & Reuben, all enhanced with full-colour demonstrations.This illuminating and fascinating book, reissued for the 25th anniversary of its publication, covers the techniques perfected by 16th and 17th century masters, studying protraits by Titian, Caravaggio, Reubens and Rembrandt and many more. In this unique book, Joseph Sheppard, a leading contemporary painter, shows you in detailed, full-colour demonstrations the variety of oil painting techniques perfected by the old masters. The techniques Sheppard describes cover the full spectrum from the direct painting (alla prima) of Rubens and Hals to the elaborate underpainting and glazing methods of Rembrandt and Titian. Each chapter is devoted to a different master covering his background, style and techniques.
Über den Autor und weitere Mitwirkende
Joseph Sheppard is a renowned artist whose work has appeared in various galleries, including the National Portrait Gallery and the Carnegie Institute Museum of Art. He studied at the Maryland Institute of Art and has written numerous guides on art, including How to Paint Like the Old Masters, Drawing the Figure, and Anatomy: A Complete Guide for Artists.
Produktinformation
Taschenbuch: 144 Seiten
Verlag: Watson-Guptill (1. September 1983)
Sprache: Englisch
ISBN-10: 9780823026715
ISBN-13: 978-0823026715
ASIN: 082302671X
Größe und/oder Gewicht:
23,1 x 1 x 30,5 cm
Durchschnittliche Kundenbewertung:
3.4 von 5 Sternen
7 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 170.576 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
er zeigt recht wirksam zu welchen Ergebnissen man mit einer reduzierten Farbpalette kommen kann.Solche Informationen lassen sich natürlich leicht im Internet finden (google: "Zorn Palette" als ein Beispiel)Dennoch kommt das Buch recht anschaulich daher und ist im eingeschränkten Rahmen auch durch den geringen Textanteil auch für Menschen mit eher marginalen Englischkenntnissen zu empfehlen.Also wer sich für Farbaufträge, Farbpaletten bei der Darstellung von Haut und Draperien und damit verbunden sich selbst ein wenig besser strukturieren möchte, kann mit Acryl bzw. Ölfarben hier sicherlich zu der ein oder anderen interessanten Einsicht gelangen.Die Beispiele klappern etwa 400 Jahre Kunstgeschichte an einer Auswahl ab.Die vorgestellte Auswahl hat wirklich gar nichts mit Malmitteln oder Malweisen Alter Meister zu tun,vielmehr wird versucht ihren Look mit neuzeitlichen Mitteln zu imitieren.
I have been disappointed as a professional artist. Reading his technical description of how it is done once is fine but applying exactly the same advice on every example in exactly the same manner is a little redundant. I have expected more since his book "Drawing The Living Figure" is so much better.
text is more interesting than the quality of paintings in this book. Paintings show not professional level of whom made them....
The book shows in great detail how different Masters created their pictures- makes you many to copy some of the techniques !
In diesem Buch geht es einzig und allein um verschiedene Techniken, mit Ölfarben ein realistisches Bild vom Menschen zu malen.Zeichnerisches Können und halbwegs ein Gefühl für Farben sollte der Leser, wenn er denn vorhat so zu malen und nicht enttäuscht zu werden, allerdings schon mitbringen. Es geht, wie gesagt, primär um Maltechniken.Zum (relevanten) Inhalt:1. Materialien und verschiedene Arten Malmittel zu mischen2. Mal-Techniken berühmter Maler werden Schritt für Schritt vorgeführt (wie auf dem Cover abgebildet!) mit Fotos von Sheppards Gemälden (die Material und Farbgebung weitgehend nachahmen) und einer kurzen BeschreibungDie vorgestellten Stile: Dürer, Titian, Veronese, Carravagio, Rubens, Hals, Rembrandt, Vermeer3. BegriffserklärungOb die vorgestellten Techniken tatsächlich den o.g. Malern entsprechen, weiß ich nicht. 100% lässt sich heute sowieso nicht mehr sagen, wie die Maler damals tatsächlich gemalt haben mögen. Doch dieses Buch ist definitiv empfehlenswert für alle Maler, die sich gern mit verschiedenen Techniken auseinandersetzen.Joseph Sheppard ist zudem ein hervorragender Zeichner und Maler, was sehr erfreulich ist. Nicht selten werden Mal- und Zeichenbüchern von nicht besonders fähigen Leuten geschrieben.Besonders interessant dürfte dieses Buch übrigens für (malende) Liebhaber der Stile "alter Meister" sein. Das Buch hält, was das Cover verspricht!Wirklich sehr erfreulich.
Excellent book! ~the things they didn't teach you in art school.This book is mandatory for anybody who ever REALLY wanted to know how to paint.• It covers variations of the masters. • Life drawing skills are a must.It doesn't really touch on "alla prima" well... which is good because these master techniques are better to start with and use before moving to more immediate techniques.It is not to say this book isn't advanced, it is. The author goes step by step and shows you how forgiving and versatile the master's methods are.It helped me move from being stuck on underpaintings for ten years to finished pieces with consistency and confidence.
The author of this book is incompetent in the matter of his subject.As he admits in his introduction, he is not really interested in understanding the way the Old Masters treated their media, but he is merely trying to imitate certain visual effects by those which are "comparable to those produced by the masters". According to him, there are many ways of painting any single picture, and he claims to be able to show one of the many possibilities.The first part of the book is concerned with the paint mediums. All recipes he mentions come from a single source: "The Secret Formulas and Techniques of the Masters" by Jacques Maroger. The simple "alternatives" (made with ingredients which you can obtain even in this country) are borrowed from Max Doerner. Three other respectable sources in Sheppard's bibliography are Cennino Cennini, Sir Eastlake and Ralph Mayer. The author is referring to these fundamental works as "just recipe works" which don't "show" how to work.In the second (and the largest) part of his book Mr. Sheppard is trying to demonstrate various techniques used by the various masters. The choice of subject is delibirately "free", i.e. the author seriously believes that a painting technique can be treated independently from the subject. Subsequently, all the "techniques" shown are basically identical. This entire section could have been replaced with a simple explanation what imprimitura is and how paint layers effect each other. The reader can find it in any other painting book or free in the internet.The figure drawings the author presents in his examples indicate a good knowledge of anatomy but betray poor drawing skills. As a result, a dreadful lack of any tension dominates his pictures. More than that, I believe the pictures were painted from photographs and not from life, so little they have to do with the reality! Ironically, the author explains the vivid tension in Rembrandt's works with his presumed lack of the drawing facility. Rembrandt's impact on the history of graphic arts was probably unknown to Mr. Sheppard.The choice of colors is unfortunately wrong too. In this case, the distortion is partly delibirate (use of cheaper pigments) and partly erroneous. The claim the masters mixed gray out of black and white is wrong, as far as I know. No wonder the pictures look so lifeless, dull and disunified.This book is not after understanding the art of the old masters but rather after a superficial imitation of glazing effects and producing ugliness and kitsch in the way the Old Masters didn't.It is one of the worst books I have ever seen. I am sending it back.
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